Tiny Bullet is known for her vibrant filmmaking scenescapes, planting her flag on finding unforgettable characters, and fearlessly taking creative risks alien to most. With her laser-focused cinematic eye and hands-on approach to directing talent, Tiny Bullet is an auteur filmmaker in the truest sense. Prior to her career as a director, Tiny was a sought-after motion and animation designer, creating entire visual worlds at a whim. Her expertise as a professional multi-media visual artist and photographer, in addition to her celebrated directing career, is visible in her artful composition in every frame. 

Celebrated for their cultural impact and serving as launch pads for conversation, Tiny’s films are as eye-catching as they are entertaining. Her first major commercial project earned a New York Times Gold Award and ranked among their “most watchable commercials.” Her playfully rebellious film “#Adpology” hilariously dismantled stereotypes about women in female-centered advertisements and screened at Cannes for International Women’s Day, ultimately garnering over six million views. Tiny provoked polite society with a commercial for Lovehoney, a popular brand of sex toys, which was later described as “the most outrageous advert to ever air on British TV.”

Since then, Tiny has directed ads for many other high-profile brands, including McDonald’s, Tesco Mobile, O2, Flipz, BBC, Kellogg’s, Intel, and eBay, for which she received a Webby Award. Her first spot in the U.S. market for GoCart won a Clio Award, Kinsale Shark, and APA Award. Her most recent work includes a multi-media campaign for Gas Networks Ireland, starring an anxious badger stressing the importance of checking for gas pipes, and Quickbooks featuring a fictional version of Queen Boudica and her accountant.